Marc Adamus |
Friday, April 29, 2016
Natural Landscapes Prework
Beauty as it relates to the natural world is difficult to define. However, I think beauty is when the natural world is untouched by humans; sweeping views, old growth forests, meadows, etc. are all natural creations that embody our idea of beauty.
I've been fortunate to experience my defined beauty in nature multiple times. However, the most memorable was when I went to Indonesian Borneo over the summer after my eighth grade year. I found myself in a situation where I was completely surrounded by nature. While initially uncomfortable, the tranquil beauty of the rainforest became evident. Everywhere I looked I found unique insects or pitcher plants that lined the ground and wild orangutans climbing through the trees. The heavy, stagnant air served as a reminder that we were not near the comforts of home. The discomforts of being far from home soon subsided as the overwhelming beauty of the natural landscape took over.
Urban Landscape Prework
Street Photography:
Zack Arias |
Anna Delany |
Phillip Abbott |
Quotes & Photos pulled from: http://www.complex.com/style/2012/06/the-50-greatest-street-photographers-right-now/phillip-abbot
Contemporary:
iO Tillett Wright |
Johnny De Guzman |
Historical:
Robert Capa |
Wednesday, March 30, 2016
Alfred Stieglitz
Alfred Stieglitz is considered to be one of the first fine art photographers. He is credited with making photography an "acceptable art form". Born in 1864 Stieglitz largely pioneered photography as an art form rather than a simple documentary tool. He primarily took fine art portraits.
I love this photo because of his close attention to detail and the way her hands are positioned. I like the focus on her face but then, again, the detail and positioning of her hands also commands the viewers focus creating an interesting image. The contrast, background and composition all combine to make this a fine art portrait.
I love this photo because of the composition and soft depth of field. It creates a more intimate, environmental portrait that is wonderfully composed.
Georgia O'Keefe- Alfred Stieglitz |
Heidi Stieglitz- Alfred Stieglitz |
Tuesday, March 8, 2016
Henri Cartier-Bresson
Henri Cartier Bresson was a french humanist photographer, he is often credited with being "the master of candid photography". Decisive Moment seems to be an appropriate term for his photography as his photos reflected his unique ability to capture moments where everything is interesting, or happening or compositionally perfect.
Again, Cartier-Bresson plays with juxtaposition. The destroyed walls juxtapose with the joyful children give this photo an ominous but uplifting tone that draws me to it. |
Friday, March 4, 2016
Annie Leibovitz
Annie Leibovitz is arguably the most famous photographer alive, she rose to popularity as her work with Rolling Stone became more and more recognized. She eventually, however, switched to Vanity Fair. She is notable for her many beautiful, iconic photos, but also her two definitive styles. The first is her earlier journalistic works and the second her extravagant, rigidly posed work with Vanity Fair and other publications. I personally prefer the more raw and emotive characteristics of her early work with Rolling Stone. While I admire her transition to Vanity Fair and appreciate the beauty of her photos I think her most powerful photos are the more intimate ones. The one that struck me most was the one of John Lennon and Yoko Ono taken hours before his sudden death.
Annie Leibovitz |
I think the raw, intimate nature of this photo makes it stronger than many of her extravagant works. Personally, I'm drawn to raw images that may well be posed but look natural, rather than the obviously posed ones for vanity fair. I like and appreciate both but prefer her work with Rolling Stone.
I think this duality of her photos contributes to her almost universal fame. Partially the fame of her subjects but also the quality of her photos has caused her to be so famous. For example, nearly every photo showed in the film with the exception of her personal photos, I was familiar with, suggesting the wide circulation of her work.
I think this duality of her photos contributes to her almost universal fame. Partially the fame of her subjects but also the quality of her photos has caused her to be so famous. For example, nearly every photo showed in the film with the exception of her personal photos, I was familiar with, suggesting the wide circulation of her work.
Friday, February 19, 2016
Light, Shadows and Reflections Pre-work part 2
Following Directions, Michael Kenna |
This image is a silhouette with backlighting. To achieve this effect, Kenna likely metered on the sky, not the trees or the birds. I'm assuming he metered there because the grey tones are in the sky and the trees, silhouetted. The mood in this image achieved through this metering is slightly ominous, however, the brightness of the sky lends itself to a more cheerful mood. Had Kenna metered instead on the trees this image would be much less interesting, the drama of the sky would be lost and the grey tones instead would be in the trees.
Tuesday, February 2, 2016
Light, Shadows, and Reflections Pre-Work Part 1
Do you think a single photo has the ability to affect change?
Nick Ut's "Terror of War" |
I think photos absolutely have the power to enact change, I think a powerful example of this is Nick Ut's "Terror of War". While there's a lot I could say about this photo and the change it enacted, (I wrote my extended essay on it) I'll keep my report on it's impact brief. Essentially, when this photo first arrived in American living rooms via nightly news reports and newspapers it shocked the public. The already dwindling support for U.S. involvement in the Vietnam War was shaken. The photo depicts a misplaced South Vietnamese napalm strike in which innocent South Vietnamese civilians were the victims. Kim Phuc, the main girl running away, has stripped off her burning clothes as her terrified brother runs towards the camera. This photo acted as a catalyst for social and political change by further confusing the roles of the aggressors and victims for the American public. Politicians leveraged the photo to garner support and funding for hospitals, enacting both social and political change.
Monday, February 1, 2016
Margaret Bourke-White
Wednesday, January 20, 2016
Wednesday, January 6, 2016
Photography 3-4 Journal Assignment Exploring Depth of Field and Abstraction
A. Abstraction
1. Write out a definition of abstraction. Refer this then to abstraction in photography. Find 2 to 3 images showing what you consider abstraction in photography.
Abstraction is a jump from reality, its images are not always clear, often taking the form of colors and shapes, messages are typically intentionally ambiguous.
The Dahlias are Coming - Zeb Andrews |
2. Explain how depth of field is used in these images. Do you think the photographer used depth of field to effectively enhance the abstract quality of the image?
Both these images convey an emotion or feeling but the content of the image is ambiguous. Zeb Andrews, the photographer, utilized depth of field effectively to enhance these images beyond simple flower photos. By having such a shallow depth of field Andrews creates interesting shapes and colors create an abstract image.
B. Examples of Shallow Depth of Field
|
1. Find a photograph of a still life using shallow depth of field
Daniel Sroka - Circumspect (#279) |
2. Find a photograph of a portrait using shallow depth of field.
Once in a Blue Moon series- Zeb Andrews |
Project 3: Prework
1.Find a photograph that shows each of the following types of motion: Mount and label these
2. Find two photographs that show the same type of action, but opposite movements.
Modern Goddess #18 2000 - Heidi Kirkpatrick |
New World 2006 - Heidi Kirkpatrick |
3. Post images of at least 2 triptychs and define what a triptych is.
Tom Spianti |
Michael Putland |
A triptych is a collection of three photos that are related, aesthetically compliment each other, or carry similar themes throughout.
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